Yesterday the Blu-ray Disc Association formally completed the Ultra HD Blu-ray specification. The specification has been under development for some time, with the first information about it being released in September of last year. The new specification allows for higher resolutions, a greater range of colors, and larger capacity disks in order to store a new generation of Ultra HD content.

The biggest point of the new Ultra HD Blu-ray specification lies in its name. Ultra HD Blu-ray will support the 3840x2160 Ultra HD resolution that has become standard across so called "4K" or Ultra HD televisions. That being said, an increase in resolution is not the only important part of the Ultra HD Blu-ray spec. The Ultra HD content standard, more accurately known as BT.2020, defines various aspects that go beyond resolution, including color gamut, color bit depth, and frame rate.

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In my view, the most important aspect of the BT. 2020 standard is the use of the Rec. 2020 color gamut. The color gamut that has been used for basically all picture and video content for quite some time now is called Rec. 709 or sRGB. sRGB is actually quite a narrow gamut, and has an lower overall number of colors than even the NTSC (1953) gamut that was used for video content before it. The Ultra HD specification uses the much larger Rec. 2020 color gamut, which will allow for colors of greater saturation to be reproduced. You can see this in the image above, with sRGB being the smaller triangle, and Rec. 2020 being the larger triangle that surrounds it.

In order to support the larger Rec. 2020 color gamut without introducing color banding, a higher bit depth is required. This is because a greater number of discrete colors will be required to display gradations that span a greater range of saturations. Ultra HD Blu-ray supports 10bit per channel color depth for content that uses Rec. 2020 for its color encoding. This moves the number of possible colors that can be displayed from approximately 16.7 million to 1.07 billion. I think it would have been better to use 10bit color for sRGB content and 12bit color for Rec. 2020 content, as current 8bit sRGB content can already experience noticeable color banding, but it looks like the additional space and hardware support required have not been deemed worth it.

While the new Ultra HD Blu-ray standard supports the existing 50GB capacity for Blu-ray disks, there will be disks of greater capacity for content that requires higher bitrates. 50GB disks will have video encoded at up to 82Mbps, while 66GB disks can support up to 108Mbps, and 100GB disks support 128Mbps. In order to encode videos with these high resolutions, bitrates, and greater color depth, Ultra HD Blu-ray will make use of HEVC video encoding.

While the appeal of physical media such as Blu-ray is in decline due to the rise of streaming media, it's still the go-to for users who care about having the highest possible visual quality. It will definitely take time for Ultra HD Blu-ray to be adopted in the market, and possibly longer for Ultra HD TVs that actually support the Rec. 2020 color space. It will be interesting to see where the market for movies and TV shows moves in the future, and what position physical media will be in at that time.

Source: Blu-ray Association (via Tech Report)

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  • bug77 - Thursday, May 14, 2015 - link

    First, there's no screen that can display the Rec 2020 color space (I believe about 90% coverage has been achieved, but only in a lab/prototype).
    Second, by the time such a screen becomes mainstream, BluRay will have gone the way of the Dodo.
  • A5 - Thursday, May 14, 2015 - link

    Pushing masters to be encoded at these specs should mean that the streaming services will move that direction by the time displays are available.

    And barring Netflix/Amazon suddenly giving a crap about PQ, anyone serious about image/sound will be buying or renting BRs.
  • bug77 - Thursday, May 14, 2015 - link

    Well, if you can't see the wider gamut, all that's left is the UHD resolution. And that only makes sense if you have an 80"+ screen. A rather limited audience I'd say.
  • barleyguy - Monday, May 18, 2015 - link

    You not only need a large screen, you need to be at a close viewing distance.

    Most people with projectors are running well above 80", generally 92"-144". But they're also usually at a viewing distance in the 10-20 foot range. So the benefit of UHD is still questionable.

    FYI, based on a poll at Avsforum, 30% of their users use projectors as their primary movie display. So there are quite a few people in that group (myself included). People on AV forums don't represent the typical public though. (People on Anandtech don't either.)
  • OrphanageExplosion - Thursday, May 14, 2015 - link

    I assume there's 48fps and 60fps support in the spec?

    I wonder what the chances are PS4 supporting the discs? I did hear that many drives could get a firmware update to support BDXL but I'm not entirely convinced.
  • A5 - Thursday, May 14, 2015 - link

    PS4 doesn't have HDMI 2.0 that I know of, so the odds are really low.
  • twizzlebizzle22 - Thursday, May 14, 2015 - link

    Yeah I did read at the beginning of this year. Sony and MS releasing a hardware varient with HDMI 2.0 to support Netflix 4K.

    Not sure how true this rumour is but it could incorporate this standard.
  • Sivar - Thursday, May 14, 2015 - link

    Rec. 2020 supports 4:4:4 encoding.
    If you've ever noticed that red objects (especially) on your Blu-ray look high pixelated, it's because they are encoded with 4:2:0 or similar, which causes such artifacts.
  • DorkMan - Thursday, May 14, 2015 - link

    Not so much pixelated, but smeary.

    Back a decade ago if you ever shot DV and then encoded it onto DVD you got 4:1:0 (in NTSC countries). Meaning that red smeared horizontally pretty obviously.

    4:2:0 means every alternate pixel site (vertical and horizontal) contains color information, a good compromise given human vision characteristics. 4:4:4 means every pixel contains not only luminance but also color information, important for some studio stuff but not so much for end users.
  • phatboye - Thursday, May 14, 2015 - link

    you mean to tell me this new format does not even support 8k?

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